Saturday, February 14, 2009

Coraline



I'll be the first to admit that I'm not a huge fan of the recent proliferation of 3D films. I think many of the films using it are too gimmicky and use it to make up for lack of a story. Henry Selick's Coraline thankfully manages to avoid this. Selick, who was previously best known as the answer to the trivia question, "who really directed The Nightmare Before Christmas?" does a good job of adapting the popular Neil Gaiman novella, and he uses the power of 3D technology to perfection, creating what is bound to be remembered one of the most beautiful films of the year. Selick and his team combined the stop-motion animation of Nightmare and Corpse Bride with some CGI to create two very unique worlds. The film is not perfect, but it is probably the best 3D film in recent years.
In the beginning, a young girl named Coraline (voiced by Dakota Fanning) moves into a very boring new house that is filled with intriguing characters. There is Wyborn, a young boy who follows her around with his cat, two retired actresses who read her fortune and a crazed Russian who trains mice for a circus (voiced by Ian Mcshane). After fighting with her parents, Coraline finds a small door that leads into a parallel version of her world. In it, her parents are extremely nice, the actresses are still beautiful, Wyborn doesn't stalk her and the Russian is completely sane. Most importantly, everything appears to be magical. The garden in this world is probably the most visually stunning part of the film, and everything just pops out wonderfully in 3D. However, she soon realizes that all of it is a trap, and her "other mother" intends to keep her there forever. After escaping back to the real world, she finds out that her "other mother" has kidnapped her real parents, and she must go back and save them, along with the souls of other children that she had kidnapped. This if the film's weakest point. It plays out like a mission from a cheap video game, and the suspense never really works.

It's difficult to look at this film and not compare it to Nightmare Before Christmas and Corpse Bride. Aside from the obvious use of stop-motion, they tell similar stories of looking for happiness in alternate worlds. Coraline lacks the pure magic of those two, although it may be even more aesthetically pleasing. I guess it may be the fault of the original story, but the end is pretty weak, and it really offers nothing new. Still, with absolutely nothing in the pipeline until the long-awaited release of Watchmen next month, Coraline should be good enough to hold you over.

Rating (out of ****): ***

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